Lotanna Igwe-Odunze wants everyone to write Igbo with freedom. The Latin alphabet, she says, has too many limitations and is a “deep source of frustration for everyone who has ever tried to read or write” Igbo. So she invented Ndebe, a script that pays homage to “the old Nsibidi logographs.”
Ndebe is not Nsibidi, she is quick to remind people. “It is completely unrelated,” she told this reporter during a 30-minute Zoom call in July. While the latter was invented more than 1,500 years ago and is generally considered too complex or indecipherable to be used by present-day Igbo people, Ndebe is designed to “overcome the design problems” of a writing system “every Igbo person could use simultaneously.”
The Ndebe script is visually striking. It consists of 1,174 characters, each of which represents a particular sound in Igbo. People necessarily don’t have to memorise all the characters to be able to read or write the script because there is a formula, a scientific logic – consciously embedded by Lotanna – to ease the difficulty of assimilation, especially for busy adults.
Ndebe solves two important problems of Igbo language literacy. One, it eliminates the confusion that often arises when two Igbo speakers with different dialects try to communicate via the written page. Two, it forces Igbo to be written with the appropriate tones.
Ndebe is “a writing system that addresses the tonal peculiarities of Nigerian languages, pleasing to the eye, which might carry the burden of our literary and academic aspirations,” linguist Kola Tubosun wrote recently.
Tubosun, whose work with Yoruba won him the Premio Ostana prize in 2016, also sees Ndebe, partly on the basis of its “visual allure”, being “used along with English or other language texts on signposts throughout the country.”
“ . . . where I think the script most succeeds is in its opening of a new vista for the revitalization of Igbo as a written language both on the page and on the web, for literacy, and for culture,” he wrote.
At some point, early this July, more than 300 people were tweeting about Ndebe. Lotanna had just unveiled the new script on a dedicated website. “This is brilliant,” one person tweeted. “This should be widely adopted.” Others praised Lotanna’s brilliance. “Oyinbos lied to Africans with Western education & we all believed without doing research,” another person wrote. “They said Africans only have oral history and no form of writing. Ethiopians have Geez script and South East Nigeria had Nsibidi which is 4000yrs old, thanks@sugabelly for educating us all.” The excitement was palpable.
When Lotanna started working on Ndebe in 2008, she was 19, studying Business Administration at Canisius College, a private Jesuit university in Buffalo, New York. The school had a lot of international students. “I used to hang out with a lot of Japanese students,” she said. Her Japanese communion piqued her interest in the East Asian nation’s culture, enough to begin considering learning Japanese.
Lotanna was a linguistic prodigy. As a child, she spoke Igbo and English, learned Yoruba in primary school, Hausa in secondary and taught herself Spanish. But it was Japanese, with its syllabic writing system, that crystallised her frustration with how African languages, especially her native Igbo, were written.
“Ever since I first learned to write Igbo in school, I have been infuriated with Samuel Ajayi Crowther,” she blogged in 2009. “The Roman system of writing was obviously never designed to accommodate African languages, but Mr. Crowther nevertheless proceeded to use it to write down all three major Nigerian languages, thereby bringing untold agony and exasperation on all future generations of young Nigerians.”
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